Hooman Majd: The End of Empire | The Huffington Post:
Hooman Majd is a writer based in New York. He is a contributing editor at Cargo magazine (Conde Nast), has written for GQ (Conde Nast), the New York Times, The New Yorker, and the New York Observer.
Hooman Majd has had a long career as an executive in the music and film businesses. He was Executive VP of Island Records, where he worked with a diverse group of artists including U2, The Cranberries, Tricky and Melissa Etheridge; and Head of Film and Music at Palm Pictures, where he executive-produced James Toback’s “Black and White” and Khyentse Norbu’s “The Cup” (Cannes 1999).
"September 2005: the end of Empire. It matters not who or what is to blame other than nature’s ugly daughter Katrina, one war of retribution, and another of pre-emption. What matters is that the United States of America, the richest and most powerful superpower of all time is no longer particularly super.
Not in the eyes of our enemies, not in the eyes of our friends. Is Sri Lanka mocking us with an offer of 25 grand in aid? Surely not. Or is Nigeria, with her offer of a cool mil? What about Iran, ready to airlift aid workers and ship five tanker-loads of oil; is she mocking the ‘Great Satan’? Fidel Castro wants to send doctors; maybe they can bring us some cigars. And Hugo Chavez? Good thing the CIA didn’t listen to Pat Robertson, for dead men can’t offer aid.
The Empire accepts the offer of aid from the U.N., yes, the U.N., where John Bolton was just rolling up his sleeves. Lop off how many stories of the U.N. Secretariat building and it wouldn’t matter? Perhaps not, Mr. Ambassador, the floors where aid is decided and dispatched.
Iran rejects the latest European demands they cease uranium conversion just as National Guard troops are flown from the Persians’ gulf to ours. Who’s afraid of the big bad wolf? We are in shock, the world watches in awe. There is no spectacle quite like the spectacle of an empire on her knees. And Caesar can do nothing but fiddle."